Tuesday, August 27, 2013

The Era of the Choirboy Part 2

Part 2
I really enjoyed the first part of choir season, plenty of challenge as our first piece was entirely foreign to me both musically and lyrically.
Der liebeslieder waltzes - Johannes Brahms
It forced me to restore my sight reading in a big hurry, and learn German phonetically.
I bookmarked a YouTube quartet version 
as it was easier to pick out the tenor parts vs the choral version I got on iTunes, which seemed to be soprano-dominated.

As I drove around listening to it and absorbed it in repeated iPod-headphone sessions the gorgeous melodic structure unfolded in my mind in a very satisfying way.
A layman's observation: classical music is less rooted in repetition, melodic simplicity or metric reliability than pop and rock. This made it much less easy to "latch onto." The rote memorization techniques I relied upon my whole life that allowed me to hear a song once or twice and know it by heart were useless. 

It is a suite of love songs with some (reputedly) slightly scandalous inspirations behind it.
Each movement is based on a poem, with the melodies strongly portraying the lyrical narrative. Brahms was impressionistically painting with sound while also flaunting and toying with some very masterful composition techniques he'd absorbed from his influencers.
As I said, very satisfying both for the mind and the heart.

Getting know this piece took a considerable investment of listening, learning and attention.
Then there was the matter of attempting to reproduce it in a way that did it justice...
I recorded myself singing through it quietly at the dinner table - HORRIBLE
Listening back to that completely crushed my confidence in my singing ability and I almost gave up the whole endeavor.

More practice, strict, formal rehearsal sessions applying the techniques I had been taught in vocal exercises and it started to get better. One thing I noticed was that running through the piece with the iTunes choral version required a full-blast commitment because singing the high head voice passages in light falsetto sounded like Mickey Mouse and made for bad pitch all around. It takes a constant application of breath to stay on key, even more so in the quiet passages. Exhausting.

Fast forward to debut night at a lovely church in Oakland, I felt ready, I was invisible in the back so no one would notice if I flubbed a word or two. You've got to really have stuff memorized because even though you are holding your music book, you really need to watch the conductor and project toward the audience, surprising how much you forget once nerves intercept.

I sang pretty good but my voice surprised me and cracked in some spots, it never, ever did that in practice. My guess is your trying harder, pushing a little more and probably drying out the 'old vocal cords as a result.

The bummer part? The Oakland chorus performs it once and then never goes back to it again until maybe in another season. I'm used to continually cultivating and improving a repertoire, not here!

So, that really chapped my hide.

To be continued, maybe.

Part 1

Some folks have asked me - Why would I join a choir?

I've long been fascinated by classical singing technique, opera and musical theater.
In Seattle I studied under the Maestro Dave Kyle for a year and it improved my singing by leaps and bounds.

I decided to put some renewed focus on strengthening my "academic" singing.
So I took back up with an excellent voice instructor in my area - Victoria Rapanan
A few months ago.

Initially with a goal to sing the role of Jean Valjean from Les Miserables
What can I say? I saw the movie and got fired up - it was the first musical I saw on Broadway and made a big impression on me.
(another secret - not anymore -goal of mine, to get into a local production of that musical)
Jean Valjean is pretty high on the tenor scale - but I can do a pretty good Javert, so I worked on the song "stars"

Fast forward a couple months, I was looking for choirs to get into because it's great practice. I was working on my lesson stuff, but you kinda need a weekly workout to build stamina.
San Francisco had pretty stringent sight-reading requirements and I'm a LOUSY music reader, my ear always dominates the internal processing.
So I found the Oakland Symphonic Chorus, went to an audition, did my Les Mis song and passed the audition!

I think this will be an interesting change from all the Rock and Acoustic stuff I've done lately.
I will update this blog with calendar and observations as I embark on this new journey.

My EP "Nocturne" is still pending, I just need to make time to master the songs and put them on itunes. Heck it's only been 8 years since the last CD!

peace, love and music,
Kevin

Friday, March 25, 2011

Blanketfort Studio Journal: DIY Recording for fun and, uh... fun?

I'm doing some bare-bones acoustic recordings of my songs to get rich and famous, I was looking around at my setup laughing and thought maybe others might find this funny and/or useful


8:00 am PST


Step1 build giant blanket fort in living room, assure wife it will just be for a few days and make sure nobody is coming over.

Step 2 Make sure Audrey Hepburn can see inside to provide spiritual guidance and retro-mojo
 Step 3 Re-confiscate the macbook from kids and spend the usual countless hours hooking stuff up and trying to remember how to make Pro-Tools work.
--attn gear geeks top to bottom: RNC 1773 compressor, digi 003 rack, lexicon MX400 reverb, vintech x73i mic preamp (neve clone), empirical labs EL8 distressor, AT 8441 condenser mic, CAD pencil condenser mic
Step 4 a couple of mics on the guitar and a comfy pillow because your gonna be there awhile. Notebook of all the lyrics you forgot.
Step 5 run a feed out to the entryway and through a 65 fender champ, it's important to counter all that sterile sounding digital recording equipment with some good-old fashioned tubes and noise.
--attn gear geeks top to bottom: 65' fender champ hot-rodded by amp guru Mike Lull in Seattle. Shure SM57, art tube MP mic preamp and fender "65 reverb deluxe" stompbox for reverb and tremelo. 
Step 6 remove collar from dog and pray for no cats/mailmen/solicitors
Step 7 Overhead room mic to capture that glorious, wood-floored, vaulted-ceiling entryway sound. Open adjacent bathroom door to capture a little porcelain resonance.

Step 8 Blanket that noisy thermostat that keeps buzzing in a non-musical way (now if it was a tube-driven thermo we might have some lo-fi magic there!)

1 pm PST Congratulations, you are now ready to make musical history! Better do it in 1 take though, the kids will be home in 2 hours.
  
I'll follow up this post with a link to the resultant recording which hopefully should come out simultaneously crystal clear and warm/fuzzy.

Tuesday, March 1, 2011

The Grail of the Sultan

Now that I've got a couple of solo acoustic shows behind me I'm setting sights on:
1. Memorizing some covers for my PlanB gig this weekend
2. getting ready for the Eagertones reunion
3. Recording some base tracks for some new acoustic demos

The covers I find are a great way to just stay practiced on guitar-manship and vocals.
Many of the songs I will interpret the solos in my own way.
But some of them I am trying to reproduce note-for-note as a kind of academic exercise.
And I'm learning a lot from doing "brown-eyed girl" "allright now" and cake's "I will survive" by the book.
The holy grail though, is Dire Straits "sultans of swing"
This song is a bit like a video game where the first few verses are easy, by the time you get to the 4th verse,  you've unlocked the next level (first solo)
and it just gets harder right up until the second solo (boss level)

Justin Vandercoe's youtube tutorials have been immensely helpful as I have little patience for sheet music and tabs.

Another challenge with trying to do it perfectly is all the little mini riffs and how they respond to what's going on in the lyrics, and the tricky arrangement with it's shortened verses and stuff.

So I came up with a color-coded cheat sheet to accompany Jusin's videos and tabs that may be of some use to those of you also trying to nail "The Grail of the Sultan" (see below)

If you really want to hear something that will make you want to throw your guitar away listen to the live version of "sultans"    Knopfler is ridiculous!!!!

sultans cheat sheet:

bos blues riff? bos = Don Henley "Boys of summer"  learn that one for this basic form.
 
intro - 2x double str slide + bos blues + flamenco arpeggio up/down

VERSE ONE - south of the river (outside)
get a shiver in the dark
get your rainin in the part but meantime
*single bend*
south of the river you stop and you hold everything
*6th single double stop*
a band is blowin dixie double four time 
*riff one*
You feel alright when you hear the music ring
*bos blues riff* *riff two*
*bos blues slide up sub*  - abbreviated verse lead in

VERSE TWO -  faces (inside)
and now you step inside but you don't see too many faces
* 6th double stop descending*
comin' in out of the rain you hear the jazz go down
*descending arpeggio variation 1*
competition in other places
*riff one*
but the horns, they blowin' that sound
*high two string variation*
*riff two*
way on down south
* riff two*
way on down south, london town
*riff one* *high answer* *riff one* *blues out*

VERSE THREE - meet george
check out guitar george, he knows all the chords
*slide up rockabilly jazz chords*
but it's strictly rhythym he doesn't wanna make it cry or sing
*tricky bend*
they say an all guitar is all he can afford
*sad spaniard*
when he gets up under the lights to play his thing
*high single string variation 2*
*riff two* *bos blues sub* - abbreviated verse again

VERSE FOUR - meet harry
and harry doesn't mind if he doesn't make the scene
*train bend*
he's got a day time job he's doin alright
*arpeggio variation 2 medium-high*
he can play the honky tonk like anything
*riff one*
savin it up for friday night
*bos blues descending trail*
*riff 2*
with the sultans 
*riff  2*
with the sultans of swing
*riff 1* *high answer* *riff 1* *blues out*

VERSE FIVE - the boys in the corner
then a crowd of young boys their foolin around in the corner
*weeping bend*
drunk and dressed in their best brown baggies and their platform soles
*arpeggio variation 3 highest* *train bend*
they don't give a damn about any trumpet playin' band
*sad spaniard*
it ain't what they call rock and roll
*bos blues variation 3*
*riff 2*
then the sultans
*riff 2*
then the sultans play creole
*riff 1*  *high answer*  creole baby *riff 1* *blues out*

solo 1 (easier)

VERSE SIX - closing time
*riff 1* *high answer* *riff 1* *blues out*
then the man he steps right up to the microphone
*6th double stop ascending*
says at last he says the time bell ring
*alarm riff*
goodnight now it's time to go home
*sad spaniard*
then they say fast just one more thing
*bos blues variation 4*
*riff 2*
we are the sultans
*riff 2*
we are the sultans of swing
*riff one* *high answer* *riff one* *blues out*

solo 2 (super hard)

out

Wednesday, January 12, 2011

An afternoon with SF Photo Legend Pat Johnson

I recently had an opportunity to do a photo shot with Notable Bay Area Photographer Pat Johnson, I approached him just based on a couple of photos I saw on the Gibson Guitars SF facebook page. I had no idea he had photographed nearly every music legend you can name and other stars of sports, stage and screen.
Pat is really a remarkable person, professionally he was very understanding and creative regarding getting my "sound" across in the shoot. Aside from that though he is deep down a very warm-hearted human being with an all-consuming love for music. I would highly recommend him for any photo project and suggest allowing extra time and patience to absorb some of his colorful life stories. We can all learn a lot from people like Pat in all walks of life. He even turned me on to some amazing music I had never heard before. For instance, if you like Zeppelin and/or Jeff Buckley, check out Terry Reid. Terry actually turned down Led Zep back in the day, his 70's album "superlungs" is jaw-droppingly awesome.
peace, love and guitars,
kevin

Friday, December 17, 2010

eagertones reunion

Spoke with Phil last night, sounds like the show is coming together, it might actually be a big deal and we might actually work hard to make sure we sound good. I like that it's going to be a cancer research benefit show.
I like that it's all ages so maybe my kiddos can come see the old man and his band. Funny thing is, I'm looking forward to the rehearsals more than the actual show. I miss these guys and many big chunks of my life were spent practicing, traveling, recording, hanging out with them. The actual gigs were a small, small part when you add up hours.
Don't get me wrong, I'm stoked that there are people out there who actually remember and/or care about a big-haired, matching-suit-wearing, ramones-worshipping garage-rock-alterna-cowpunk band from the 80-90's. But the actual reunion show concept to me was always kinda lame.
I'd rather we re-banded, recorded some new songs, put out a download on itunes and then played supporting that and save the oldies for the encore. I guess I'll never come to terms with being an over-40 irrelevant musician. Part of me still clings to the optimism and romance of unwrittten songs, new emotional connections with listeners and new towns/venues to explore and infiltrate.
Still, Dudes, I can't wait to rock out with ya'll again.
k

Wednesday, December 30, 2009

Kevin's Top 50 Albums of 2000-2009

Finally finished my top 50 albums of the last 10 years.
Special thanks to Paul Gower, Paste Magazine, Pitchfork, and Last FM  for helping me discover many of these.
I hope you make some good discoveries of your own here -
cheers,
kevin


In no particular order...


1. New Pornographers - Electric Version
2. Feist - The Reminder
3. My Morning Jacket - Z
4. Deathcab for Cutie -Transatlanticism    
5. Postal Service - The Give Up
6. Gorillaz - debut
7. Lady Ga Ga - The Fame
8. Beck - Sea Change
9. JayZ - Blueprint
10. TV on the Radio - Dear Science
11. Shins - Chutes too Narrow
12. Sufjan Stevens - (c'mon feel the) Illinoise
13. Interpol - Turn on the bright lights
14. White stripes - Elephant
15. Killers - Hot Fuss
16. Damien rice - O
17. Arcade Fire - Funeral
18. Once - Soundtrack
19. Muse - Black Holes and Revelations
20. Company of Thieves - Ordinary Riches
21. Regina Spektor - Far
22. Kings of Leon - aha Shake Heartbreak
23. Ok go - oh no
24. The xx - debut
25. Tegan and Sara - So Jealous
26. PJ Harvey -Stories from the City
27. Raconteurs - Broken Boy Soldiers
28. Green day - American Idiot
29. Coldplay - Rush of Blood
30. Arctic monkeys - Whatever
31. Yeah Yeah yeahs - Fever to tell
32. Evanescence - debut
33. Amy Winehouse - Back to Black
34. LCD soundsystem - Sound of Silver
35. Flaming Lips - Yoshimi battles the Pink Robots
36. Ben Folds - Songs for Silverman
37. Rilo Kiley - More Adventurous
38. Elliot Smith - Figure Eight
39. We are Scientists - with Love and Squalor
40. Clap your hands say yeah - debut
41. Joe Henry - Scar
42. The National - Boxer
43. Bon Iver - for Emma
44. Dirty Projectors - Bitte Orca
45. Grizzly Bear - Veckatimest
46. Bloc Party - Silent Alarm
47. Broken Social Scene - You forgot it in people
48. The Walkmen - Bows and Arrows
49. Spoon - Gimme Fiction

50. still under consideration:
     Bjork -Vespertine
     Bob Dylan - love and theft
     Robert Plant and Allison Krauss - Raising Sand
     Knife - Silent Shout
     Daft Punk - Homework